Dreambook
\n<\/strong><\/h1><\/h1><\/span><\/div><\/div><\/div>Jaouen Sala\u00fcn<\/h2>\n<\/div>![\"L'artbook](\"http:\/\/caurette.com\/wp-content\/uploads\/2019\/09\/2019-08-09-Dreambook-cover-1-400x565.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>![\"Jaouen](\"http:\/\/caurette.com\/wp-content\/uploads\/2019\/09\/SALAUN-Jaouen-Dreambook-03-1200x1697-400x566.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Dreams awoken<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>I\u2019ve filled up quite a few sketchbooks lying in bed in the evenings. I draw for between thirty and ninety minutes before going to sleep almost every night. Nearly all the drawings in this book were done under the same conditions. They were always drawn in one go, without prior penciling, be it with or without a specific plan.
\nI work on four formats ranging from A6 to A3 with a pilot V5, which is a pen hard enough to be incisive but fine enough to do subtle crosshatching.
\nThe drawings are sometimes directly related to my daytime work, taking a figurative-narrative form or reflecting the emotion of the moment through an exploration of abstract expression. This moment of creativity has its virtues. Firstly, I enjoy the chance to feed my desire to keep on drawing. It is also a moment that lets me transform negative energy (stress, anxiety, frustration) into something tangible. Thus, when I get emotional, I can \u201cturn the page\u201d more easily and move on.
\nThese notebooks are also a sort of spiritual journey for me. It is like meditation. I get lost in the shapes, lines and small details, particularly as I am often in a lethargic state; on the verge of falling asleep. My eyes, the architects of my drawings, fill with sand and slowly close. I then experiment drawing bits with my eyes shut. The intention remains the same, but without my eyes the results are more brutal.<\/p>\n
I rarely come back to my drawings. I might refine some curves or outlines or crosshatch some elements to lift them from the page. I like keeping my first attempts. I don\u2019t try to \u201cfinish\u201d my drawings. They have a life and a story and translate a specific moment in time. There are recurring themes, you might even say obsessions. You could categorize them into six broad themes. This book is therefore made up of six chapters. The boundaries between the themes are thin and I\u2019ve enjoyed mixing some of them up.<\/p>\n
Practicing this form of automatic writing has liberated me creatively. Attached to realistic drawing for many years, I didn\u2019t let myself play about and got way too serious. One day I heard Moebius say that a drawing was never wrong, that you just had to do something else. Since that day I\u2019ve been experimenting every day without constraint, waiting for something to happen. I\u2019ve become a front row spectator of happy chance, convinced that anything is possible. Every night I dream about what I will draw the next day.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Genesis<\/h1><\/h1><\/span><\/div><\/div><\/div>Next to his work on comics, Jaouen Salaun illustrates his dreams, his thoughts, mostly everything in his brain when he\u2019s left alone.<\/p>\n
The result : dreamlike drawings, in turn poetic, scary, sentimental or \u2026wierd!<\/p>\n
Organised in six chapters, (dreamlike, Mystical, Mythologic, retro, medival, Science-fiction), this incredible sketchbook makes the reader wander off into worlds that will not leave him unscathed.<\/p>\n<\/div><\/div><\/div>
![](\"http:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/page8-400x542.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Sala\u00fcn Jaouen is a French illustrator born in H\u00e9rault, France, May 7th, 1979. He discovered illustration in late 1995 with Mo\u00ebbius, Gillon, Bilal, Liberatore and Gimenez, since when he has had a passion for drawing. He studied art at Emile Cohl School from 1999 to 2003.
\nAt the beginning of his career he illustrated textbooks, young adult novels and playing cards, and taught perspective at an interior design school for two years. In 2006 he started in comics with \u201cNova\u201d based on a story by Julien Blondel. He then created the first volume of the \u201cCarthago Adventures\u201d series, with Christophe Bec writing the story. In 2009 he joined the Pavilion noir agency, as an advertising story-boarder, with whom he still collaborates today.
\nBetween 2014 and 2017 he illustrated the \u201cEternum\u201d series, once again collaborating with Christophe Bec. Since 2017 he has been working for Carbone magazine, a transmedia project exploring pop culture.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"http:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-08-400x542.jpg\")
<\/a><\/span><\/div><\/div><\/div>Characteristics<\/h1>\n<\/div>Hardback<\/p>\n
684 pages<\/p>\n
Black and white \/ Full Color<\/p>\n
Language : French and English<\/p>\n
Dimensions : 21 x 29 cm<\/p>\n
Distribution Glenat<\/p>\n
ISBN : 9791096315260<\/p>\n
PVP TTC : 49\u20ac<\/p>\n
Date published : 13 November 2019<\/p>\n<\/div><\/div><\/div>
\n<\/strong><\/h1><\/h1><\/span>
Jaouen Sala\u00fcn<\/h2>\n<\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Dreams awoken<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>I\u2019ve filled up quite a few sketchbooks lying in bed in the evenings. I draw for between thirty and ninety minutes before going to sleep almost every night. Nearly all the drawings in this book were done under the same conditions. They were always drawn in one go, without prior penciling, be it with or without a specific plan.
\nI work on four formats ranging from A6 to A3 with a pilot V5, which is a pen hard enough to be incisive but fine enough to do subtle crosshatching.
\nThe drawings are sometimes directly related to my daytime work, taking a figurative-narrative form or reflecting the emotion of the moment through an exploration of abstract expression. This moment of creativity has its virtues. Firstly, I enjoy the chance to feed my desire to keep on drawing. It is also a moment that lets me transform negative energy (stress, anxiety, frustration) into something tangible. Thus, when I get emotional, I can \u201cturn the page\u201d more easily and move on.
\nThese notebooks are also a sort of spiritual journey for me. It is like meditation. I get lost in the shapes, lines and small details, particularly as I am often in a lethargic state; on the verge of falling asleep. My eyes, the architects of my drawings, fill with sand and slowly close. I then experiment drawing bits with my eyes shut. The intention remains the same, but without my eyes the results are more brutal.<\/p>\n
I rarely come back to my drawings. I might refine some curves or outlines or crosshatch some elements to lift them from the page. I like keeping my first attempts. I don\u2019t try to \u201cfinish\u201d my drawings. They have a life and a story and translate a specific moment in time. There are recurring themes, you might even say obsessions. You could categorize them into six broad themes. This book is therefore made up of six chapters. The boundaries between the themes are thin and I\u2019ve enjoyed mixing some of them up.<\/p>\n
Practicing this form of automatic writing has liberated me creatively. Attached to realistic drawing for many years, I didn\u2019t let myself play about and got way too serious. One day I heard Moebius say that a drawing was never wrong, that you just had to do something else. Since that day I\u2019ve been experimenting every day without constraint, waiting for something to happen. I\u2019ve become a front row spectator of happy chance, convinced that anything is possible. Every night I dream about what I will draw the next day.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Genesis<\/h1><\/h1><\/span><\/div><\/div><\/div>Next to his work on comics, Jaouen Salaun illustrates his dreams, his thoughts, mostly everything in his brain when he\u2019s left alone.<\/p>\n
The result : dreamlike drawings, in turn poetic, scary, sentimental or \u2026wierd!<\/p>\n
Organised in six chapters, (dreamlike, Mystical, Mythologic, retro, medival, Science-fiction), this incredible sketchbook makes the reader wander off into worlds that will not leave him unscathed.<\/p>\n<\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Sala\u00fcn Jaouen is a French illustrator born in H\u00e9rault, France, May 7th, 1979. He discovered illustration in late 1995 with Mo\u00ebbius, Gillon, Bilal, Liberatore and Gimenez, since when he has had a passion for drawing. He studied art at Emile Cohl School from 1999 to 2003.
\nAt the beginning of his career he illustrated textbooks, young adult novels and playing cards, and taught perspective at an interior design school for two years. In 2006 he started in comics with \u201cNova\u201d based on a story by Julien Blondel. He then created the first volume of the \u201cCarthago Adventures\u201d series, with Christophe Bec writing the story. In 2009 he joined the Pavilion noir agency, as an advertising story-boarder, with whom he still collaborates today.
\nBetween 2014 and 2017 he illustrated the \u201cEternum\u201d series, once again collaborating with Christophe Bec. Since 2017 he has been working for Carbone magazine, a transmedia project exploring pop culture.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Characteristics<\/h1>\n<\/div>Hardback<\/p>\n
684 pages<\/p>\n
Black and white \/ Full Color<\/p>\n
Language : French and English<\/p>\n
Dimensions : 21 x 29 cm<\/p>\n
Distribution Glenat<\/p>\n
ISBN : 9791096315260<\/p>\n
PVP TTC : 49\u20ac<\/p>\n
Date published : 13 November 2019<\/p>\n<\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Dreams awoken<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>I\u2019ve filled up quite a few sketchbooks lying in bed in the evenings. I draw for between thirty and ninety minutes before going to sleep almost every night. Nearly all the drawings in this book were done under the same conditions. They were always drawn in one go, without prior penciling, be it with or without a specific plan.
\nI work on four formats ranging from A6 to A3 with a pilot V5, which is a pen hard enough to be incisive but fine enough to do subtle crosshatching.
\nThe drawings are sometimes directly related to my daytime work, taking a figurative-narrative form or reflecting the emotion of the moment through an exploration of abstract expression. This moment of creativity has its virtues. Firstly, I enjoy the chance to feed my desire to keep on drawing. It is also a moment that lets me transform negative energy (stress, anxiety, frustration) into something tangible. Thus, when I get emotional, I can \u201cturn the page\u201d more easily and move on.
\nThese notebooks are also a sort of spiritual journey for me. It is like meditation. I get lost in the shapes, lines and small details, particularly as I am often in a lethargic state; on the verge of falling asleep. My eyes, the architects of my drawings, fill with sand and slowly close. I then experiment drawing bits with my eyes shut. The intention remains the same, but without my eyes the results are more brutal.<\/p>\n
I rarely come back to my drawings. I might refine some curves or outlines or crosshatch some elements to lift them from the page. I like keeping my first attempts. I don\u2019t try to \u201cfinish\u201d my drawings. They have a life and a story and translate a specific moment in time. There are recurring themes, you might even say obsessions. You could categorize them into six broad themes. This book is therefore made up of six chapters. The boundaries between the themes are thin and I\u2019ve enjoyed mixing some of them up.<\/p>\n
Practicing this form of automatic writing has liberated me creatively. Attached to realistic drawing for many years, I didn\u2019t let myself play about and got way too serious. One day I heard Moebius say that a drawing was never wrong, that you just had to do something else. Since that day I\u2019ve been experimenting every day without constraint, waiting for something to happen. I\u2019ve become a front row spectator of happy chance, convinced that anything is possible. Every night I dream about what I will draw the next day.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Genesis<\/h1><\/h1><\/span><\/div><\/div><\/div>Next to his work on comics, Jaouen Salaun illustrates his dreams, his thoughts, mostly everything in his brain when he\u2019s left alone.<\/p>\n
The result : dreamlike drawings, in turn poetic, scary, sentimental or \u2026wierd!<\/p>\n
Organised in six chapters, (dreamlike, Mystical, Mythologic, retro, medival, Science-fiction), this incredible sketchbook makes the reader wander off into worlds that will not leave him unscathed.<\/p>\n<\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Sala\u00fcn Jaouen is a French illustrator born in H\u00e9rault, France, May 7th, 1979. He discovered illustration in late 1995 with Mo\u00ebbius, Gillon, Bilal, Liberatore and Gimenez, since when he has had a passion for drawing. He studied art at Emile Cohl School from 1999 to 2003.
\nAt the beginning of his career he illustrated textbooks, young adult novels and playing cards, and taught perspective at an interior design school for two years. In 2006 he started in comics with \u201cNova\u201d based on a story by Julien Blondel. He then created the first volume of the \u201cCarthago Adventures\u201d series, with Christophe Bec writing the story. In 2009 he joined the Pavilion noir agency, as an advertising story-boarder, with whom he still collaborates today.
\nBetween 2014 and 2017 he illustrated the \u201cEternum\u201d series, once again collaborating with Christophe Bec. Since 2017 he has been working for Carbone magazine, a transmedia project exploring pop culture.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Characteristics<\/h1>\n<\/div>Hardback<\/p>\n
684 pages<\/p>\n
Black and white \/ Full Color<\/p>\n
Language : French and English<\/p>\n
Dimensions : 21 x 29 cm<\/p>\n
Distribution Glenat<\/p>\n
ISBN : 9791096315260<\/p>\n
PVP TTC : 49\u20ac<\/p>\n
Date published : 13 November 2019<\/p>\n<\/div><\/div><\/div>
I\u2019ve filled up quite a few sketchbooks lying in bed in the evenings. I draw for between thirty and ninety minutes before going to sleep almost every night. Nearly all the drawings in this book were done under the same conditions. They were always drawn in one go, without prior penciling, be it with or without a specific plan.
\nI work on four formats ranging from A6 to A3 with a pilot V5, which is a pen hard enough to be incisive but fine enough to do subtle crosshatching.
\nThe drawings are sometimes directly related to my daytime work, taking a figurative-narrative form or reflecting the emotion of the moment through an exploration of abstract expression. This moment of creativity has its virtues. Firstly, I enjoy the chance to feed my desire to keep on drawing. It is also a moment that lets me transform negative energy (stress, anxiety, frustration) into something tangible. Thus, when I get emotional, I can \u201cturn the page\u201d more easily and move on.
\nThese notebooks are also a sort of spiritual journey for me. It is like meditation. I get lost in the shapes, lines and small details, particularly as I am often in a lethargic state; on the verge of falling asleep. My eyes, the architects of my drawings, fill with sand and slowly close. I then experiment drawing bits with my eyes shut. The intention remains the same, but without my eyes the results are more brutal.<\/p>\n
I rarely come back to my drawings. I might refine some curves or outlines or crosshatch some elements to lift them from the page. I like keeping my first attempts. I don\u2019t try to \u201cfinish\u201d my drawings. They have a life and a story and translate a specific moment in time. There are recurring themes, you might even say obsessions. You could categorize them into six broad themes. This book is therefore made up of six chapters. The boundaries between the themes are thin and I\u2019ve enjoyed mixing some of them up.<\/p>\n
Practicing this form of automatic writing has liberated me creatively. Attached to realistic drawing for many years, I didn\u2019t let myself play about and got way too serious. One day I heard Moebius say that a drawing was never wrong, that you just had to do something else. Since that day I\u2019ve been experimenting every day without constraint, waiting for something to happen. I\u2019ve become a front row spectator of happy chance, convinced that anything is possible. Every night I dream about what I will draw the next day.<\/p>\n<\/div>
Genesis<\/h1><\/h1><\/span><\/div><\/div><\/div>Next to his work on comics, Jaouen Salaun illustrates his dreams, his thoughts, mostly everything in his brain when he\u2019s left alone.<\/p>\n
The result : dreamlike drawings, in turn poetic, scary, sentimental or \u2026wierd!<\/p>\n
Organised in six chapters, (dreamlike, Mystical, Mythologic, retro, medival, Science-fiction), this incredible sketchbook makes the reader wander off into worlds that will not leave him unscathed.<\/p>\n<\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Sala\u00fcn Jaouen is a French illustrator born in H\u00e9rault, France, May 7th, 1979. He discovered illustration in late 1995 with Mo\u00ebbius, Gillon, Bilal, Liberatore and Gimenez, since when he has had a passion for drawing. He studied art at Emile Cohl School from 1999 to 2003.
\nAt the beginning of his career he illustrated textbooks, young adult novels and playing cards, and taught perspective at an interior design school for two years. In 2006 he started in comics with \u201cNova\u201d based on a story by Julien Blondel. He then created the first volume of the \u201cCarthago Adventures\u201d series, with Christophe Bec writing the story. In 2009 he joined the Pavilion noir agency, as an advertising story-boarder, with whom he still collaborates today.
\nBetween 2014 and 2017 he illustrated the \u201cEternum\u201d series, once again collaborating with Christophe Bec. Since 2017 he has been working for Carbone magazine, a transmedia project exploring pop culture.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Characteristics<\/h1>\n<\/div>Hardback<\/p>\n
684 pages<\/p>\n
Black and white \/ Full Color<\/p>\n
Language : French and English<\/p>\n
Dimensions : 21 x 29 cm<\/p>\n
Distribution Glenat<\/p>\n
ISBN : 9791096315260<\/p>\n
PVP TTC : 49\u20ac<\/p>\n
Date published : 13 November 2019<\/p>\n<\/div><\/div><\/div>
Next to his work on comics, Jaouen Salaun illustrates his dreams, his thoughts, mostly everything in his brain when he\u2019s left alone.<\/p>\n
The result : dreamlike drawings, in turn poetic, scary, sentimental or \u2026wierd!<\/p>\n
Organised in six chapters, (dreamlike, Mystical, Mythologic, retro, medival, Science-fiction), this incredible sketchbook makes the reader wander off into worlds that will not leave him unscathed.<\/p>\n<\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>Sala\u00fcn Jaouen is a French illustrator born in H\u00e9rault, France, May 7th, 1979. He discovered illustration in late 1995 with Mo\u00ebbius, Gillon, Bilal, Liberatore and Gimenez, since when he has had a passion for drawing. He studied art at Emile Cohl School from 1999 to 2003. Hardback<\/p>\n 684 pages<\/p>\n Black and white \/ Full Color<\/p>\n Language : French and English<\/p>\n Dimensions : 21 x 29 cm<\/p>\n Distribution Glenat<\/p>\n ISBN : 9791096315260<\/p>\n PVP TTC : 49\u20ac<\/p>\n Date published : 13 November 2019<\/p>\n<\/div><\/div><\/div>
\nAt the beginning of his career he illustrated textbooks, young adult novels and playing cards, and taught perspective at an interior design school for two years. In 2006 he started in comics with \u201cNova\u201d based on a story by Julien Blondel. He then created the first volume of the \u201cCarthago Adventures\u201d series, with Christophe Bec writing the story. In 2009 he joined the Pavilion noir agency, as an advertising story-boarder, with whom he still collaborates today.
\nBetween 2014 and 2017 he illustrated the \u201cEternum\u201d series, once again collaborating with Christophe Bec. Since 2017 he has been working for Carbone magazine, a transmedia project exploring pop culture.<\/em><\/p>\n<\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Characteristics<\/h1>\n<\/div>
![](\"http:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-04-400x542.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![\"\"](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/page290.jpg\")
<\/a><\/div><\/div><\/div>![\"L'artbook](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/09\/SALAUN-Jaouen-Dreambook-01-600x424.jpg\")
<\/a><\/div><\/div><\/div>![\"Le](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/09\/SALAUN-Jaouen-Dreambook-02.jpg\")
<\/a><\/div><\/div><\/div>![\"\"](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-05.jpg\")
<\/a><\/div><\/div><\/div>![\"\"](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-06.jpg\")
<\/a><\/div><\/div><\/div>![\"\"](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-09.jpg\")
<\/a><\/div><\/div><\/div>![\"\"](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/08\/SALAUN-Jaouen-Dreambook-07.jpg\")
<\/a><\/div><\/div><\/div><\/div>