BESTiary
\n<\/strong><\/h1><\/h1><\/span><\/div><\/div><\/div>SKETCHBOOK #1 et #1.1<\/h2>\n<\/div><\/div><\/div><\/div><\/div>![\"Armel](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/02\/Couv_Page_001-524x800.jpg\")
<\/a><\/span><\/div><\/div><\/div>![](\"https:\/\/caurette.com\/wp-content\/uploads\/2020\/11\/BESTiary-1.1-Couverture-v2-600x932.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/caurette.com\/wp-content\/uploads\/2018\/01\/Armel-13x20-DEF_Page_007-520x800.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Funny animals…<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>Fantastic Mister Fox. By the tender age of seven I was on sharp lookout for every broadcast of the Christmas movies of Wolfgang Reitherman, one of the \u201cNine Old Men\u201d from Disney Animation Studios.<\/p>\n
I\u2019ve never ceased since to be awed by artists who\u2019ve delighted in seizing the personalities of their fellow men and transposing them on animal faces chosen for the circumstance, first and foremost Charles Le Brun, J.J. Grandville, Heinrich Kley and Benjamin Rabier.<\/p>\n
When I think of these talking animals that enthralled me when I was a child, I remember realistic, plausible creatures, with genuine faces and authentic expressions. They were characters I would have loved to meet, very different from the stylized caricatures, all angles and exaggerated scowls that we sometimes come across in contemporary \u201ccharacter design\u201d \u2026<\/p>\n
Years later, I started sketching those \u201canimals\u201d (but does that really define them?) myself out of pure fun and I thank my children for having asked me to give birth to a great many of them in order to amuse them in turn.<\/p>\n
My biggest joy would be for readers, in their turn, to dream and laugh a little thanks to the characters gathered here\u2026<\/p>\n
-Armel Gaulme<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Foreword by John HOWE !<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>In an age where a few strands of DNA separate us from the humblest of creatures, in an age where we question our place, inherited from the time we gave names to all the animals, Armel Gaulme\u2019s Bestiary is a salutary exercise where deft acuity of spirit and pencil line are displayed in equal measure.<\/p>\n
Giambattista della Porta, Charles le Brun, Heinrich Kley, Arthur Rackham, Walt Disney, all have questioned and blurred the line that separates man from beast.<\/p>\n
And in the end, can we accept the qualities to which we aspire: brave as a lion, strong as a bull and others, without regarding face to\u2026 muzzle the less redeeming human qualities that animals selflessly ignore? This is a book created with sensitivity, razor-sharp observation and a lively dose of humor, a mirror in which we would be well inspired to look long and carefully. We might just get a clearer glimpse of ourselves.<\/p>\n
-John Howe<\/p>\n
(John Howe is a Canadian illustrator, mainly known for his work as artistic director on The Lord of the Rings\u2019 and The Hobbit\u2019s trilogies, by Peter Jackson. He also published numerous books with Gallimard-Jeunesse, Nathan, Grasset Jeunesse, Casterman, Bayard\u2026)<\/em><\/p>\n<\/div><\/div><\/div>![\"Armel](\"https:\/\/caurette.com\/wp-content\/uploads\/2019\/02\/Armel-13x20-DEF_Page_064-520x800.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>Born in 1981, Armel Gaulme graduated from the art school Penninghen (Acad\u00e9mie Julian) in Paris, where he still teaches classic drawing and perspectives. Strongly influenced by Alan Lee, John Howe and Europeans illustrators of the 1900\u2019s, he mostly draws in sketchbooks.<\/em><\/p>\nAfter his studies, he illustrated various children\u2019s literature series of books with the publishing house Adam Biro (section \u201cLe Baron Perch\u00e9\u201d, under the supervision of Maylis de Kerangal), then he worked with other publishing houses (such as Casterman, Bayard, etc\u2026) before starting to work in audiovisual production, video games, animation, advertising, for which he produced numerous preproduction drawings and matte paintings. Simultaneously, he started teaching in various art schools and in his own workshop.<\/em><\/p>\nIn 2014, weary of the digital illustrations\u2019 world, he undertook illustrating Rudyard Kipling\u2019s The Man Who Would Be King in the form of a watercolor notebook. His next project is an anthology of sketches inspired by several fantastical short stories by H.P. Lovecraft.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>\u201cThere are some illustrators who have to be published.<\/em><\/strong>
\nArmel Gaulme is obviously one of them.\u201d<\/em><\/strong><\/p>\n-JC Caurette<\/em><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/caurette.com\/wp-content\/uploads\/2020\/08\/planche-bestiary-4.jpg\" "\\"planche")
<\/span><\/div>Characteristics of Sketchbook #1 :<\/h2>\n<\/div>Hardcover
\n112 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 13 x 21 cm
\nISBN : 9791096315079
\nPrice : 15\u20ac<\/p>\n<\/div><\/div><\/div>
![](\"https:\/\/caurette.com\/wp-content\/uploads\/2020\/08\/New-Droit-de-bottes.jpg\" "\\"New")
<\/span><\/div>Characteristics of Sketchbook #1.1 :<\/h2>\n<\/div>Hardcover
\n104 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 15.6 x 24 cm
\nISBN : 9791096315826
\nPrice : 15\u20ac
\nPublishing date: January 2021<\/p>\n<\/div><\/div><\/div><\/div><\/div>
![\"Extrait](\"https:\/\/caurette.com\/wp-content\/uploads\/2018\/01\/Armel-13x20-DEF_Page_077-Copie-800x611.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/span>Availability :<\/h1><\/h1><\/span><\/div><\/div><\/div>Available on\u00a0LiberDistri.com<\/a>\u00a0or at your favorite bookstore\u00a0?<\/h2>\n<\/div>
\n<\/strong><\/h1><\/h1><\/span>
SKETCHBOOK #1 et #1.1<\/h2>\n<\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Funny animals…<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>Fantastic Mister Fox. By the tender age of seven I was on sharp lookout for every broadcast of the Christmas movies of Wolfgang Reitherman, one of the \u201cNine Old Men\u201d from Disney Animation Studios.<\/p>\n
I\u2019ve never ceased since to be awed by artists who\u2019ve delighted in seizing the personalities of their fellow men and transposing them on animal faces chosen for the circumstance, first and foremost Charles Le Brun, J.J. Grandville, Heinrich Kley and Benjamin Rabier.<\/p>\n
When I think of these talking animals that enthralled me when I was a child, I remember realistic, plausible creatures, with genuine faces and authentic expressions. They were characters I would have loved to meet, very different from the stylized caricatures, all angles and exaggerated scowls that we sometimes come across in contemporary \u201ccharacter design\u201d \u2026<\/p>\n
Years later, I started sketching those \u201canimals\u201d (but does that really define them?) myself out of pure fun and I thank my children for having asked me to give birth to a great many of them in order to amuse them in turn.<\/p>\n
My biggest joy would be for readers, in their turn, to dream and laugh a little thanks to the characters gathered here\u2026<\/p>\n
-Armel Gaulme<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Foreword by John HOWE !<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>In an age where a few strands of DNA separate us from the humblest of creatures, in an age where we question our place, inherited from the time we gave names to all the animals, Armel Gaulme\u2019s Bestiary is a salutary exercise where deft acuity of spirit and pencil line are displayed in equal measure.<\/p>\n
Giambattista della Porta, Charles le Brun, Heinrich Kley, Arthur Rackham, Walt Disney, all have questioned and blurred the line that separates man from beast.<\/p>\n
And in the end, can we accept the qualities to which we aspire: brave as a lion, strong as a bull and others, without regarding face to\u2026 muzzle the less redeeming human qualities that animals selflessly ignore? This is a book created with sensitivity, razor-sharp observation and a lively dose of humor, a mirror in which we would be well inspired to look long and carefully. We might just get a clearer glimpse of ourselves.<\/p>\n
-John Howe<\/p>\n
(John Howe is a Canadian illustrator, mainly known for his work as artistic director on The Lord of the Rings\u2019 and The Hobbit\u2019s trilogies, by Peter Jackson. He also published numerous books with Gallimard-Jeunesse, Nathan, Grasset Jeunesse, Casterman, Bayard\u2026)<\/em><\/p>\n<\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div>Born in 1981, Armel Gaulme graduated from the art school Penninghen (Acad\u00e9mie Julian) in Paris, where he still teaches classic drawing and perspectives. Strongly influenced by Alan Lee, John Howe and Europeans illustrators of the 1900\u2019s, he mostly draws in sketchbooks.<\/em><\/p>\nAfter his studies, he illustrated various children\u2019s literature series of books with the publishing house Adam Biro (section \u201cLe Baron Perch\u00e9\u201d, under the supervision of Maylis de Kerangal), then he worked with other publishing houses (such as Casterman, Bayard, etc\u2026) before starting to work in audiovisual production, video games, animation, advertising, for which he produced numerous preproduction drawings and matte paintings. Simultaneously, he started teaching in various art schools and in his own workshop.<\/em><\/p>\nIn 2014, weary of the digital illustrations\u2019 world, he undertook illustrating Rudyard Kipling\u2019s The Man Who Would Be King in the form of a watercolor notebook. His next project is an anthology of sketches inspired by several fantastical short stories by H.P. Lovecraft.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>\u201cThere are some illustrators who have to be published.<\/em><\/strong>
\nArmel Gaulme is obviously one of them.\u201d<\/em><\/strong><\/p>\n-JC Caurette<\/em><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div>Characteristics of Sketchbook #1 :<\/h2>\n<\/div>Hardcover
\n112 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 13 x 21 cm
\nISBN : 9791096315079
\nPrice : 15\u20ac<\/p>\n<\/div><\/div><\/div>
<\/span><\/div>Characteristics of Sketchbook #1.1 :<\/h2>\n<\/div>Hardcover
\n104 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 15.6 x 24 cm
\nISBN : 9791096315826
\nPrice : 15\u20ac
\nPublishing date: January 2021<\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/span>Availability :<\/h1><\/h1><\/span><\/div><\/div><\/div>Available on\u00a0LiberDistri.com<\/a>\u00a0or at your favorite bookstore\u00a0?<\/h2>\n<\/div>
<\/a><\/span><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Funny animals…<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>Fantastic Mister Fox. By the tender age of seven I was on sharp lookout for every broadcast of the Christmas movies of Wolfgang Reitherman, one of the \u201cNine Old Men\u201d from Disney Animation Studios.<\/p>\n
I\u2019ve never ceased since to be awed by artists who\u2019ve delighted in seizing the personalities of their fellow men and transposing them on animal faces chosen for the circumstance, first and foremost Charles Le Brun, J.J. Grandville, Heinrich Kley and Benjamin Rabier.<\/p>\n
When I think of these talking animals that enthralled me when I was a child, I remember realistic, plausible creatures, with genuine faces and authentic expressions. They were characters I would have loved to meet, very different from the stylized caricatures, all angles and exaggerated scowls that we sometimes come across in contemporary \u201ccharacter design\u201d \u2026<\/p>\n
Years later, I started sketching those \u201canimals\u201d (but does that really define them?) myself out of pure fun and I thank my children for having asked me to give birth to a great many of them in order to amuse them in turn.<\/p>\n
My biggest joy would be for readers, in their turn, to dream and laugh a little thanks to the characters gathered here\u2026<\/p>\n
-Armel Gaulme<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Foreword by John HOWE !<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>In an age where a few strands of DNA separate us from the humblest of creatures, in an age where we question our place, inherited from the time we gave names to all the animals, Armel Gaulme\u2019s Bestiary is a salutary exercise where deft acuity of spirit and pencil line are displayed in equal measure.<\/p>\n
Giambattista della Porta, Charles le Brun, Heinrich Kley, Arthur Rackham, Walt Disney, all have questioned and blurred the line that separates man from beast.<\/p>\n
And in the end, can we accept the qualities to which we aspire: brave as a lion, strong as a bull and others, without regarding face to\u2026 muzzle the less redeeming human qualities that animals selflessly ignore? This is a book created with sensitivity, razor-sharp observation and a lively dose of humor, a mirror in which we would be well inspired to look long and carefully. We might just get a clearer glimpse of ourselves.<\/p>\n
-John Howe<\/p>\n
(John Howe is a Canadian illustrator, mainly known for his work as artistic director on The Lord of the Rings\u2019 and The Hobbit\u2019s trilogies, by Peter Jackson. He also published numerous books with Gallimard-Jeunesse, Nathan, Grasset Jeunesse, Casterman, Bayard\u2026)<\/em><\/p>\n<\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div>Born in 1981, Armel Gaulme graduated from the art school Penninghen (Acad\u00e9mie Julian) in Paris, where he still teaches classic drawing and perspectives. Strongly influenced by Alan Lee, John Howe and Europeans illustrators of the 1900\u2019s, he mostly draws in sketchbooks.<\/em><\/p>\nAfter his studies, he illustrated various children\u2019s literature series of books with the publishing house Adam Biro (section \u201cLe Baron Perch\u00e9\u201d, under the supervision of Maylis de Kerangal), then he worked with other publishing houses (such as Casterman, Bayard, etc\u2026) before starting to work in audiovisual production, video games, animation, advertising, for which he produced numerous preproduction drawings and matte paintings. Simultaneously, he started teaching in various art schools and in his own workshop.<\/em><\/p>\nIn 2014, weary of the digital illustrations\u2019 world, he undertook illustrating Rudyard Kipling\u2019s The Man Who Would Be King in the form of a watercolor notebook. His next project is an anthology of sketches inspired by several fantastical short stories by H.P. Lovecraft.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>\u201cThere are some illustrators who have to be published.<\/em><\/strong>
\nArmel Gaulme is obviously one of them.\u201d<\/em><\/strong><\/p>\n-JC Caurette<\/em><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div>Characteristics of Sketchbook #1 :<\/h2>\n<\/div>Hardcover
\n112 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 13 x 21 cm
\nISBN : 9791096315079
\nPrice : 15\u20ac<\/p>\n<\/div><\/div><\/div>
<\/span><\/div>Characteristics of Sketchbook #1.1 :<\/h2>\n<\/div>Hardcover
\n104 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 15.6 x 24 cm
\nISBN : 9791096315826
\nPrice : 15\u20ac
\nPublishing date: January 2021<\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/span>Availability :<\/h1><\/h1><\/span><\/div><\/div><\/div>Available on\u00a0LiberDistri.com<\/a>\u00a0or at your favorite bookstore\u00a0?<\/h2>\n<\/div>
Fantastic Mister Fox. By the tender age of seven I was on sharp lookout for every broadcast of the Christmas movies of Wolfgang Reitherman, one of the \u201cNine Old Men\u201d from Disney Animation Studios.<\/p>\n
I\u2019ve never ceased since to be awed by artists who\u2019ve delighted in seizing the personalities of their fellow men and transposing them on animal faces chosen for the circumstance, first and foremost Charles Le Brun, J.J. Grandville, Heinrich Kley and Benjamin Rabier.<\/p>\n
When I think of these talking animals that enthralled me when I was a child, I remember realistic, plausible creatures, with genuine faces and authentic expressions. They were characters I would have loved to meet, very different from the stylized caricatures, all angles and exaggerated scowls that we sometimes come across in contemporary \u201ccharacter design\u201d \u2026<\/p>\n
Years later, I started sketching those \u201canimals\u201d (but does that really define them?) myself out of pure fun and I thank my children for having asked me to give birth to a great many of them in order to amuse them in turn.<\/p>\n
My biggest joy would be for readers, in their turn, to dream and laugh a little thanks to the characters gathered here\u2026<\/p>\n
-Armel Gaulme<\/p>\n<\/div>
Foreword by John HOWE !<\/h1><\/h1><\/span><\/div><\/div><\/div><\/div><\/div>In an age where a few strands of DNA separate us from the humblest of creatures, in an age where we question our place, inherited from the time we gave names to all the animals, Armel Gaulme\u2019s Bestiary is a salutary exercise where deft acuity of spirit and pencil line are displayed in equal measure.<\/p>\n
Giambattista della Porta, Charles le Brun, Heinrich Kley, Arthur Rackham, Walt Disney, all have questioned and blurred the line that separates man from beast.<\/p>\n
And in the end, can we accept the qualities to which we aspire: brave as a lion, strong as a bull and others, without regarding face to\u2026 muzzle the less redeeming human qualities that animals selflessly ignore? This is a book created with sensitivity, razor-sharp observation and a lively dose of humor, a mirror in which we would be well inspired to look long and carefully. We might just get a clearer glimpse of ourselves.<\/p>\n
-John Howe<\/p>\n
(John Howe is a Canadian illustrator, mainly known for his work as artistic director on The Lord of the Rings\u2019 and The Hobbit\u2019s trilogies, by Peter Jackson. He also published numerous books with Gallimard-Jeunesse, Nathan, Grasset Jeunesse, Casterman, Bayard\u2026)<\/em><\/p>\n<\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div>Born in 1981, Armel Gaulme graduated from the art school Penninghen (Acad\u00e9mie Julian) in Paris, where he still teaches classic drawing and perspectives. Strongly influenced by Alan Lee, John Howe and Europeans illustrators of the 1900\u2019s, he mostly draws in sketchbooks.<\/em><\/p>\nAfter his studies, he illustrated various children\u2019s literature series of books with the publishing house Adam Biro (section \u201cLe Baron Perch\u00e9\u201d, under the supervision of Maylis de Kerangal), then he worked with other publishing houses (such as Casterman, Bayard, etc\u2026) before starting to work in audiovisual production, video games, animation, advertising, for which he produced numerous preproduction drawings and matte paintings. Simultaneously, he started teaching in various art schools and in his own workshop.<\/em><\/p>\nIn 2014, weary of the digital illustrations\u2019 world, he undertook illustrating Rudyard Kipling\u2019s The Man Who Would Be King in the form of a watercolor notebook. His next project is an anthology of sketches inspired by several fantastical short stories by H.P. Lovecraft.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>\u201cThere are some illustrators who have to be published.<\/em><\/strong>
\nArmel Gaulme is obviously one of them.\u201d<\/em><\/strong><\/p>\n-JC Caurette<\/em><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div>Characteristics of Sketchbook #1 :<\/h2>\n<\/div>Hardcover
\n112 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 13 x 21 cm
\nISBN : 9791096315079
\nPrice : 15\u20ac<\/p>\n<\/div><\/div><\/div>
<\/span><\/div>Characteristics of Sketchbook #1.1 :<\/h2>\n<\/div>Hardcover
\n104 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 15.6 x 24 cm
\nISBN : 9791096315826
\nPrice : 15\u20ac
\nPublishing date: January 2021<\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div><\/span>Availability :<\/h1><\/h1><\/span><\/div><\/div><\/div>Available on\u00a0LiberDistri.com<\/a>\u00a0or at your favorite bookstore\u00a0?<\/h2>\n<\/div>
In an age where a few strands of DNA separate us from the humblest of creatures, in an age where we question our place, inherited from the time we gave names to all the animals, Armel Gaulme\u2019s Bestiary is a salutary exercise where deft acuity of spirit and pencil line are displayed in equal measure.<\/p>\n
Giambattista della Porta, Charles le Brun, Heinrich Kley, Arthur Rackham, Walt Disney, all have questioned and blurred the line that separates man from beast.<\/p>\n
And in the end, can we accept the qualities to which we aspire: brave as a lion, strong as a bull and others, without regarding face to\u2026 muzzle the less redeeming human qualities that animals selflessly ignore? This is a book created with sensitivity, razor-sharp observation and a lively dose of humor, a mirror in which we would be well inspired to look long and carefully. We might just get a clearer glimpse of ourselves.<\/p>\n
-John Howe<\/p>\n
(John Howe is a Canadian illustrator, mainly known for his work as artistic director on The Lord of the Rings\u2019 and The Hobbit\u2019s trilogies, by Peter Jackson. He also published numerous books with Gallimard-Jeunesse, Nathan, Grasset Jeunesse, Casterman, Bayard\u2026)<\/em><\/p>\n<\/div><\/div><\/div> Born in 1981, Armel Gaulme graduated from the art school Penninghen (Acad\u00e9mie Julian) in Paris, where he still teaches classic drawing and perspectives. Strongly influenced by Alan Lee, John Howe and Europeans illustrators of the 1900\u2019s, he mostly draws in sketchbooks.<\/em><\/p>\n After his studies, he illustrated various children\u2019s literature series of books with the publishing house Adam Biro (section \u201cLe Baron Perch\u00e9\u201d, under the supervision of Maylis de Kerangal), then he worked with other publishing houses (such as Casterman, Bayard, etc\u2026) before starting to work in audiovisual production, video games, animation, advertising, for which he produced numerous preproduction drawings and matte paintings. Simultaneously, he started teaching in various art schools and in his own workshop.<\/em><\/p>\n In 2014, weary of the digital illustrations\u2019 world, he undertook illustrating Rudyard Kipling\u2019s The Man Who Would Be King in the form of a watercolor notebook. His next project is an anthology of sketches inspired by several fantastical short stories by H.P. Lovecraft.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div> \u201cThere are some illustrators who have to be published.<\/em><\/strong> -JC Caurette<\/em><\/strong><\/p>\n<\/div><\/div><\/div> Hardcover Hardcover<\/a><\/span><\/div><\/div><\/div><\/div><\/div>
\nArmel Gaulme is obviously one of them.\u201d<\/em><\/strong><\/p>\n<\/span><\/div>Characteristics of Sketchbook #1 :<\/h2>\n<\/div>
\n112 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 13 x 21 cm
\nISBN : 9791096315079
\nPrice : 15\u20ac<\/p>\n<\/div><\/div><\/div><\/span><\/div>Characteristics of Sketchbook #1.1 :<\/h2>\n<\/div>
\n104 pages
\nBlack and White \/ Color
\nForeword by John HOWE
\nLanguage: French and English
\nDimensions : 15.6 x 24 cm
\nISBN : 9791096315826
\nPrice : 15\u20ac
\nPublishing date: January 2021<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div>Availability :<\/h1><\/h1><\/span>
Available on\u00a0LiberDistri.com<\/a>\u00a0or at your favorite bookstore\u00a0?<\/h2>\n<\/div>
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<\/a><\/div><\/div><\/div>![\"Extrait](\"https:\/\/caurette.com\/wp-content\/uploads\/2018\/01\/Armel-13x20-DEF_Page_058.jpg\")
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